In his ‘Afterword’ to the Nag Hammadi Library (Robinson 1988, 547), Richard Smith gives this account of Harold Bloom’s hermeneutic theory:
Bloom’s argument is that literary influence always proceeds by ‘a deliberately perverse misreading … an act of creative correction, of distortion, of perverse, willful revisionism whose purpose is to clear away the precursor so as to open a space for oneself.’